Colossus (various thoughts)
[ movies/television ][ cold war | individual vs society | movies | review ]
[ March 18th, 2009 ]
[ by: Alvan ]
Colossus, The Forbin Project (1970) is from my perspective something from the annals of history. One of those things that happened years before my birth that I would never hear of if it weren’t for freak accidents like manatic bringing it up (thanks for that!). So, today, I managed to dig a copy up and watched it. I had preconceptions about the film, that it might be a more polarized view of the Cold War politics, but in fact it turned out to be quite the opposite. This will contain spoilers, so be warned. Also, there is no fancy gaming angle to this – it’s just because the movie touches two things I’m interested – communication and the Cold War.
The movie is based on a book, which in the end turned out to be a trilogy – something that explains the references near the end, where the computer mentions about something being built, that will take five years to complete (the second book of the trilogy takes place five years after the first one) and probably the reason for the very bleak situation it ends with, even if those weren’t exactly uncommon at the time when the movie was filmed. And while the book was published in ’66, which sets some backdrop to the events, I’d like to see the movie more as the product of those later years (69-70).
So it’s interesting how the Soviets are pictured in the movie. Considering that they “just” had invaded Czechoslovakia with their allies, the fact that the biggest atrocities the Soviets commit are exactly the same ones the Americans do (shooting of their own when presented with choice between that or destruction of a whole city), is actually quite endearing. And that both sides use the same, unified tactics to combat the computers brings them to light as not as polarized superpowers, but as simply members of the same human race. The Soviets in the film even don’t do things the way they usually are portrayed in movies like this – behind the backs of the Americans and in effect working against the heroes as their plans backfire. In fact, it’s the Soviets who get to pay the human price before the Americans do, and the viewer gets to feel sympathy towards them with no strings attached.
And there is a lot of that anti-war and unity-between-all sympathy in the movie. For example the president of the USA is pictured as something of a Kennedyesque character who wants to explain things to the public as frankly as possible and who is horrified when he has to explain to them that there’s been a nuclear incident, even if the administration at the time was in the hands of Nixon. And Nixon at the time was the conservative right wing man who approved secret bombings in Vietnam instead of being the president who negotiated the peace there. Also, the crew of scientists the main character is a part of is like the bridge of a Star Trek ship, filled with men, women, white, black, asian alike, with what seems to be equal status. Another nod at the world of man being at least somewhat unified.
But then there’s the language theme that keeps popping up that parallels and mirrors the other questions of unity. Even as all men stand united when they face the technological threat, humans are ineffective because they don’t share a language. This comes up at many points – there is the need of interpreters between the Soviets and the Americans. People keep explaining that their language skills are lacking and others saying that their skills are much better than they were saying. There are conversations that happen in one language that needs to be repeated in the other because there had been someone in the group who didn’t speak the first language. There seem to be moments of misunderstanding when the interpreter is asked to explain things. And so on. Also, the computers don’t speak the same language from the start, but the first thing they do is develop a language they both can use equally well. They are effective. And when humans don’t understand the computers, the computers immediately respond with the language the humans understand – force. Eventually, when they have had time to communicate with their shared language they become one, the ultimate computer. Unity.
The president calls out for a “human millennium” when the movie starts, an age where they may get rid of famine and suffering. And the way to that will be peace through the impersonal guardian computer. The exact same words are later echoed by Unity, who has been working for that very goal, through the subjucation of the human race. Leaving us with the question if the needs of the whole human race are more important than the needs of each member of it.
And in the end, even if we kept asking for the end of war, of a world united as one, a world without suffering, when we’re asked to actually sacrifice our illusion of freedom and love Unity as our master, our defiant answer is “Never”.
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Tags: cold war, individual vs society, movies, review







